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My drawing started as a boy on rainy days at the kitchen table waiting for tea. That's a common training for UK visual artists– beginnings in art around drizzle and fish fingers.

Working drawing for Meeting in the Forest linocut

Meeting in the Forest: Linocut in three colours/ printed on mixed textured paper/ A2 size landscape

Arctic Crossing: Soft ground etching and aquatint/ size 380 x 380 mm

Front Room: Dremel engraving on Polypropelene. Hand tinted / size 310 x 310 mm

Harmony/ Itchi: Screenprint in 3 colours on elephant hide paper/ size A2 landscape 594 x 420 mm

Secret Garden: Screenprint and solar plate/ size A3

Aerial:: Linocut in 4 colours/ size A2 landscape

Strange Pastimes: Soft ground etching & aquatint/ size A3 (Images inspired by work in Le Dernier Cri publication)

Skin treatment: Photoetching & screenprint /A3 size

Woman at curtain: Hard ground etching/ A4

Spring Ritual: Photoetching (Imagon process)/ size A3 landscape

Group printmaking exhibition 'Elephant Proof' held at Mall Galleries, London

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All work is hand-printed by the artist in small editions. Prints are for sale subject to availability.

Previous Occupants: A3 Photoetching

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I returned to printmaking only
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Abstract Card Print: Relief print/ size A2 landscape (mixed edition)

This relief printing press is over 150 years old and will still be working when my computer is in a museum for people to fondly jeer at for its quaint technology.

Gallery

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Feather: Screenprint/ A2 size (in UAL archive collection)

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14 images